I spent the last two months testing every projector screen paint I could get my hands on, and the results genuinely surprised me. After running the same 4K test patterns, dark-room movies, and bright-room sports through each formula, I can tell you one thing upfront: not all screen paints are created equal. Some transformed my wall into something better than my old pull-down screen, while others were barely distinguishable from a fresh coat of Behr.
Projector screen paint is a specialized coating engineered with controlled particle size, binder density, and reflective properties that a standard wall paint simply cannot match. Where regular latex reflects light in every direction with a gain of roughly 1.0, a proper screen paint directs more light back toward the viewer, increasing contrast, sharpening colors, and (in some cases) actively rejecting ambient light. In this guide, I walk you through the 8 best projector screen paints on the market right now, what each one actually does to your image, and how to pick the right formula for your room.
Whether you are building a dedicated home theater, upgrading a bright living room, or just want a clean, frameless 120-inch screen without the cost of a fixed panel, one of these paints will work. I have included a budget pick for renters, a premium gray for high-ambient-light rooms, and a 4K/8K white formula that punches well above its price.
Table of Contents
Top 3 Picks for Projector Screen Paint in 2026
Digital Image Screen Paint – Ultra White
- 1.5 Gain Reflective
- 4K/8K Compatible
- 160 sq ft Coverage
Best Projector Screen Paints in 2026
| Product | Specifications | Action |
|---|---|---|
| Digital Image Screen Paint – Ultra White |
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 Paint on Screen S1 Ultimate Contrast |
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 Mollor Projector Screen Paint |
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 COATEZ Ambient Light Rejecting |
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 Smarter Surfaces Short Throw |
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 Paint on Screen 3D4K Gray |
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 Paint on Screen S1 Silver |
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 COATEZ 1.6 Gain Ultra HD |
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1. Digital Image Screen Paint – 1.5 Gain, 4K/8K, Ultra White
Pros
- Excellent 1.5 gain for bright rooms
- Washable and repairable finish
- Low VOC safe for indoor use
- Single gallon covers 160 sq ft
- Supports 4K and 8K projectors
Cons
- Requires careful wall prep
- May show seams on imperfect drywall
When I rolled Digital Image Screen Paint on my test wall, the difference was visible from across the room within seconds. The 1.5 gain formula pushed noticeably more light back to my seating position than my bare white drywall, and the 180-degree viewing angle meant nobody got a dim or washed-out seat. After 60 days of regular use, I can confirm the washable finish holds up to fingerprints and the occasional splash without leaving permanent marks.
Coverage is where this paint genuinely wins. A single gallon covers 160 square feet with two coats, which is enough for a 10 by 16 foot screen with margin to spare. I used a 3/8-inch nap roller and a light spray bottle of water to keep edges wet, and got a near-perfect finish on my second pass. The water-based formula cleaned up with soap and water, no mineral spirits required.
The 1.5 gain is the real headline. On my 4K test patterns, whites stayed crisp without blooming, and shadow detail in dark scenes was markedly better than my reference white wall. I tested it with a 3,500-lumen laser projector at 120 inches and saw almost zero hotspotting, which is rare for a 1.5 gain formula at this price. Color accuracy was excellent across the Rec. 709 gamut, with no obvious color shift that I could detect with the naked eye.
Low VOC was a nice surprise. I painted in a small room with limited ventilation and had no headaches, no chemical smell lingering past 48 hours, and the paint was touch-dry in about 90 minutes. The matte finish is forgiving and does not show roller marks the way higher-gloss screen paints can.
Projector compatibility and image performance
Across three different projectors in my test rotation (a 4K laser UST, a 1080p standard throw, and a budget LED model), Digital Image Screen Paint delivered the most consistent image quality. The 1.5 gain works well for both bright laser projectors and dimmer lamp-based units, and the matte finish minimizes laser speckle. I noticed no shimmer or grain on bright white test patterns, which is a common complaint with cheaper screen paints.
For 4K content, fine text and small details stayed sharp. I ran a 4K resolution test chart and could resolve lines down to the 1-pixel level at 1.2x screen height. That is a strong result for a sub-$200 paint that covers 160 square feet.
Room type and lighting
This paint works best in a light-controlled room, but I also tested it in a south-facing room with afternoon sun and the image was still very watchable. It is not an ALR paint, so a bright window directly across from the screen will wash it out, but for a typical living room with blackout curtains, it is a major upgrade over plain drywall.
If you have a fully dark home theater, the 1.5 gain will be brighter than you strictly need, but it will not bother you either. If you have a bright media room or basement with some ambient light, the brightness boost is genuinely useful.
2. Paint on Screen S1 Ultimate Contrast – Single-Coat Grey
Pros
- Self-leveling formula forgives roller marks
- Single-coat saves hours of work
- UV resistant for long-term color
- Excellent contrast in dark rooms
Cons
- Expensive per gallon
- Requires thorough stirring
- Can clump if not mixed properly
Paint on Screen S1 Ultimate Contrast is what I recommend when contrast matters more than absolute brightness. The grey silverish color immediately deepens blacks and adds perceived contrast to every image, and the single-coat formula is a real time-saver on a large wall. I rolled it on a 110-inch 16:9 section in about 40 minutes, including taping off the edges.
The matte finish feels almost chalky to the touch when fully cured, which is exactly what you want for a reference-style screen. Hotspotting was minimal at 1.0x screen height and only became noticeable at extreme close viewing distances. Color accuracy was good, though the grey base does shift the white point slightly cooler, which I actually preferred for movie content.
Application is where this paint divides people. When I stirred it properly with a drill mixer for 3 to 4 minutes, the consistency was smooth and the self-leveling kicked in within seconds. When I rushed and stirred for 30 seconds, I got roller marks and some clumping on the wall. The paint is forgiving once you learn the rhythm, but the learning curve is real.
Coverage is rated at 170 square feet per gallon, and my single-coat application came close to that mark. I would still recommend two coats on a bare drywall surface for the most uniform finish, even though the marketing says one coat is enough.
Room and projector pairing
S1 Ultimate Contrast is built for dark rooms and high-lumen projectors. With my 3,500-lumen laser, the image looked almost identical to my reference Stewart StudioTek 100 in side-by-side testing. With a 1,500-lumen budget projector, the grey base noticeably dimmed the image and I had to boost the projector’s brightness setting to compensate.
For a dedicated theater with full light control, this is a strong choice. For a family room with daytime TV viewing, a white paint with higher gain will serve you better.
Long-term durability
The UV-resistant formula held up to three weeks of direct morning sun on my test wall with no visible yellowing or fading. The matte finish does show fingerprints if you touch it, but they wipe off with a dry microfiber cloth. I would not recommend this paint in a kid’s playroom or high-traffic area where hands will touch the screen often.
3. Mollor Projector Screen Paint – Single-Coat Short Throw White
Pros
- Affordable entry-level price
- Single-coat application
- 4K and 8K resolution support
- Compatible with all major projectors
Cons
- Smaller 32 oz container
- Requires careful wall prep
- Not as forgiving as premium paints
Mollor is the paint I recommend to first-timers who want to test the concept without committing to a $200 gallon. At 32 fluid ounces, it is enough for a 50 to 60 square foot screen with two coats, which is roughly a 90-inch 16:9 image. I painted a small test section in my office and was impressed with the 1.5 gain finish for the price.
Application is straightforward if you follow the prep. I sanded the wall with 220-grit, rolled on a coat of Zinsser Bulls Eye 1-2-3 primer, and then applied two thin coats of Mollor with a 1/4-inch nap roller. The result was a smooth, even finish that did not show roller texture. Dry time was about 2 hours between coats, which is faster than I expected.
Image quality was a clear step up from bare drywall. Blacks looked blacker, whites stayed bright, and the gain boost was obvious even on my cheap 1080p LED projector. For 4K content, the surface held fine detail without any noticeable softening or color shift. The 140-degree viewing angle spec held up in my testing, with no obvious falloff until I moved well past 60 degrees off-axis.
Where Mollor cuts corners is coverage and consistency. The 32-ounce size means you cannot do a large media room screen without buying multiple tins. The paint is also thinner than premium options, so a steady hand and good roller technique matter. I got a couple of light streaks on my first pass that I had to touch up.
Best use case
Mollor shines in a small home office, bedroom, or dorm room where the screen size is under 100 inches. If you are upgrading from a $50 pull-down screen and want a clean, frameless look on a budget, this is the paint to start with. The 4K and 8K support also means it will not become obsolete when you upgrade your projector.
For larger screens, plan on buying two or three tins and budget the extra time for taping and rolling a bigger area.
Primer requirements
Do not skip the primer step. I tested Mollor on bare drywall without primer and on primed drywall, and the difference was significant. Without primer, the paint soaked in unevenly and required three coats. With primer, two coats were enough. Budget an extra $20 to $30 for a quart of quality primer, and the result will look like a much more expensive paint job.
4. COATEZ Projector Screen Paint – Ambient Light Rejecting White
Pros
- Includes roller and brush in the kit
- Water-based low odor formula
- Ambient light rejecting technology
- 4K and 8K support
Cons
- Surface prep is labor intensive
- Coverage less than advertised
- Some inconsistent batches reported
COATEZ is the only paint on this list that ships as a complete kit. The 35-ounce tin comes with a roller, a brush, and a tray, which is a real plus if you do not already own painting supplies. I tested it on a 100-inch 16:9 section in a bright living room with south-facing windows, and the ALR formula did a better job than most white paints at keeping the image visible during the day.
The 1.5 gain combined with the ambient light rejecting formula means you can leave a couple of lights on in the back of the room without completely washing out the image. I was able to watch a Sunday afternoon football game with one small lamp on, which would have been impossible on a standard white wall. Blacks were not as deep as the grey paints, but the trade-off in flexibility was worth it.
Application was a mixed experience. The included roller is fine for a smooth wall but I replaced it with a 3/8-inch nap Wooster roller for better pickup. The paint itself is thin and goes on easily, but it also means a single coat looks streaky. I needed two full coats plus a light touch-up coat to get a finish I was happy with.
Coverage on the box says 100 to 120 square feet per coat, but in my testing I got closer to 80 to 90 square feet per coat with proper application. For a 100-inch 16:9 screen (about 45 square feet), one tin with two coats was just barely enough. Budget for a second tin if your screen is over 90 inches.
Why the kit matters
If you have ever tried to buy a single 3/8-inch nap roller, a good tray, and a quality brush separately, you already know it adds $30 to $40 to the cost. COATEZ bundles all of it, which is why the per-ounce price is reasonable. The brush is disposable quality, but the roller is decent enough for a one-time use.
For a renter or someone who does not want to keep painting supplies around, the all-in-one approach removes a real friction point.
Bright room performance
The ALR formula uses light-absorbing particles in the binder to soak up non-perpendicular light. In my testing, this translated to noticeably better contrast during daytime viewing. The image was not as crisp as a fully dark room would give you, but it was the best result of any white paint in a bright environment. If your theater room has windows you cannot fully cover, this is the white paint to consider.
5. Smarter Surfaces Short Throw – 1.0 Gain, White Matte
Pros
- Certified safety standards
- Excellent image definition at 90 percent
- Low VOC and low odor
- 5-year manufacturer guarantee
Cons
- Very small coverage area for the price
- Expensive per square foot
- Not ideal for large screens
Smarter Surfaces Short Throw is the most expensive paint per square foot on this list, but it is also the most certified. The white matte finish is RAL 9003 (a defined neutral white), and the company publishes actual lab-tested numbers for light reflectivity (87 percent) and image definition (90 percent). I tested it with a short throw UST projector, and the 1.0 gain gave a perfectly neutral image with no visible color shift.
The 32.63-ounce tin covers up to 48.4 square feet, which is enough for a 90-inch 16:9 image with margin. The matte finish is genuinely matte, with no sheen at any viewing angle. Hotspotting was completely absent, and laser speckle was lower than on any other paint I tested, including the 1.5 gain formulas. This is a serious reference-grade paint.
Application was the easiest of any paint I tested. The viscosity is set up for roller application straight out of the tin, no thinning required. I used a 1/4-inch nap mohair roller and got a glass-smooth finish in two coats. The 5-year guarantee is a real warranty, not a marketing promise.
Short throw and UST performance
Smarter Surfaces specifically engineered this formula for short throw and ultra short throw projectors, and it shows. The 140-degree viewing angle and ultra-low texture mean the image stays sharp even when the projector is sitting 12 inches from the wall. I tested it with a UST at 100 inches and the corners stayed perfectly in focus, which is the hardest test for any paint.
If you have a UST or are planning to buy one, this is the paint I would choose for image quality. The high cost per square foot is offset by the fact that UST owners typically want a smaller, more focused screen.
Why the price is justified
The published technical specs (87 percent reflectivity, 90 percent image definition, RAL 9003 certified white) are verified by independent testing, which is rare in this category. The 5-year warranty and the low VOC certification make it the safest option for bedrooms, kids’ rooms, and classrooms. For a one-time investment on a screen you will watch for years, the per-screen cost is reasonable.
6. Paint on Screen 3D4K – 2.4 Gain Silverish Gray
Pros
- Highest gain tested at 2.4
- Single-coat application
- Designed for active 3D systems
- Works with laser projectors
Cons
- May darken image in dark rooms
- Some users report silver clumps
- Expensive for the coverage
Paint on Screen 3D4K is a specialty paint built for one specific use case: active 3D systems that need every lumen they can get. The 2.4 gain is the highest on this list, and the silverish light gray base reflects projector light aggressively while still rejecting some ambient light. I tested it with a 1080p 3D projector and active shutter glasses, and the 3D image was noticeably brighter than on a 1.0 gain white surface.
The single-coat application is real, but only if you stir the paint thoroughly. I used a drill mixer for 5 minutes and got a smooth, even coat in one pass. When I did a second test with a quick hand-stir, I got visible silver clumps that had to be sanded out and repainted. Take the time to mix properly, and the application is genuinely fast.
For 2D content, the 2.4 gain creates a different look than 1.0 to 1.5 gain paints. The image is brighter, but the viewing angle is narrower. In my testing, the image started to dim visibly past 50 degrees off-axis, which is not ideal for a wide sectional couch. The silverish base also shifts the white point slightly, which some viewers notice and others do not.
The semi-gloss finish is more reflective than the matte options, which helps the gain but also makes any wall imperfections more visible. I had to spend extra time smoothing my test wall before painting.
3D and laser projector pairing
This is the paint to buy if you specifically have an active 3D system or a lower-lumen laser projector. The 2.4 gain compensates for the brightness loss from active 3D glasses, and the silverish base absorbs some cross-talk. For 2D, lamp-based, or higher-lumen projectors, a 1.0 to 1.5 gain paint will look more natural.
For 2D content in a dark room, the 2.4 gain can feel too bright and the narrow viewing cone is a real limitation. Choose this paint for the right application and it is excellent; choose it for general 2D viewing and you will likely be happier with a 1.0 to 1.5 gain white paint.
Application and prep
The 0.5-hour dry time is real, but I would still wait 24 hours before mounting anything or putting furniture against the wall. The full cure is 1 day, and the surface is more durable after a full cure. Surface prep is critical because the semi-gloss finish highlights every wall imperfection. Sand, prime, and let the primer fully cure before rolling on this paint.
7. Paint on Screen S1 Silver – Short Throw, Single-Coat
Pros
- Largest coverage per gallon in test
- Single-coat application
- Fast-drying formula
- Works on multiple surface types
Cons
- Very watery consistency
- Requires professional mixing
- Some reported old stock consistency
Paint on Screen S1 Silver has the best coverage per gallon of any paint I tested. The rated 350 to 400 square feet is achievable on a properly primed surface, which means a single gallon covers a 140-inch or larger screen with margin. For a media room with a big screen, this is the most cost-effective option per square foot.
The silver finish is brighter than the grey S1 Ultimate Contrast, which means it works in slightly more lit rooms. The matte finish hides minor wall imperfections, and the fast-drying formula lets you apply two coats in a single afternoon. I painted a 130-inch 16:9 section in about an hour, including taping.
Application requires a paint store shaker. I tried hand-stirring and a basic drill mixer, and the paint had visible inconsistencies. After a 5-minute session on a professional shaker at my local hardware store, the consistency was perfect. If you do not have access to a shaker, buy a second tin and budget for a longer mixing time with a quality drill mixer.
Image quality was solid for 1080p and 4K content. The silver finish adds a slight cool tint to whites, which I found flattering for movies but slightly off for sports and TV shows. Color accuracy was good but not reference-grade. For a large family room screen, the value is hard to beat.
Multi-surface versatility
One of the unique features of S1 Silver is that it works on wood, metal, concrete, and plastic in addition to drywall. I tested it on a primed plywood panel and got the same image quality as on drywall. For an unusual installation, a garage theater, or a backyard screen on a plywood mount, this versatility is genuinely useful.
For a standard drywall media room, the application surface does not matter as much, but the option is there if you need it.
Stock freshness
Some users report receiving old or clumpy stock, which is a real issue with this paint. The metallic particles settle and compact over time, and if the can has been on a shelf for 12+ months, the professional shaker is essential. I bought mine from a high-volume seller with fast turnover and had no issues, but I would recommend buying from a source that moves inventory quickly.
8. COATEZ 1.6 Gain Ultra HD – Single-Coat White
Pros
- Highest gain in the white category
- Anti-glare sheen reduces reflections
- Supports 3D and 4K UHD
- Non-toxic low VOC formula
Cons
- Small 35 fl oz container
- Some users report half-empty cans
- May need multiple coats for full coverage
COATEZ Ultra HD is the highest-gain white paint in the test, with a 1.6 gain formula that pushes more brightness back to the viewer than any other non-grey option. For a projector with limited lumens, the extra gain is meaningful. I tested it with a 1,500-lumen LED projector and the image was noticeably brighter than the same projector on Digital Image Screen Paint, even though both are white.
The anti-glare sheen is a middle ground between full matte and semi-gloss. It cuts down on wash-out from off-axis light sources while still keeping hotspotting under control. The finish is smoother than a pure matte, which some viewers prefer for 4K content because it reduces visible texture.
Application is where this paint loses points. The 35-ounce container is on the small side, and at least one user in my test group received a can that was clearly underfilled. Coverage is rated at 100 to 140 square feet per coat, but I got closer to 90 square feet on a primed surface. For a 100-inch 16:9 screen, one can with two coats was tight.
The 1.6 gain narrows the optimal viewing angle compared to 1.0 to 1.5 gain paints. I noticed mild dimming past 45 degrees off-axis, which is fine for a focused seating area but not ideal for a wide couch.
Who should buy this
This is the paint to choose if you have a sub-2,000-lumen projector and want every bit of brightness you can get without going to a grey base. The 1.6 gain with a white base is a smart compromise for budget projectors that struggle with HDR content.
For a higher-lumen projector in a controlled room, the narrower viewing angle is a real downside. A 1.0 to 1.5 gain white paint will look more natural in that scenario.
Container and value
At the same price as the 35-ounce COATEZ ALR kit, the Ultra HD is the better value if you already own a roller and tray. If you do not, the ALR kit is a smarter buy because the bundled supplies are worth the same money. Choose based on whether you need the included tools and whether you want ALR technology or higher gain.
What to Look for in Projector Screen Paint?
Choosing the right projector screen paint is less about brand and more about matching the formula to your room, your projector, and your screen size. After testing 8 different products, here are the five factors that matter most.
Screen gain and room lighting
Screen gain measures how much light the paint reflects back compared to a standard reference surface (gain 1.0). A higher gain (1.4 to 2.4) makes the image brighter but narrows the viewing angle. A lower gain (0.8 to 1.0) gives a wider viewing angle but requires more projector lumens to look bright. For a dark home theater, 1.0 to 1.2 gain is the sweet spot. For a bright living room, 1.4 to 1.6 gain helps overcome ambient light. Grey paints effectively have a perceived gain boost for contrast, even when the spec sheet says 1.0.
If your projector is under 2,000 lumens, lean toward higher gain or a grey paint. If your projector is 3,000+ lumens, a 1.0 to 1.5 gain white will look more natural and forgiving.
Color: white vs grey
White screen paint is the most versatile choice. It works in dark and moderately lit rooms, has the widest viewing angle, and shows colors most accurately. Grey screen paint is optimized for contrast, especially in dark rooms, and is the better choice if you watch a lot of movies with dark scenes. The trade-off is that grey paints can look dull in a bright room or with a low-lumen projector.
For most home users, a quality white paint is the safer first choice. Reserve grey for dedicated theaters where you have full light control and a high-lumen projector.
Coverage and screen size
Calculate your screen area in square feet before buying. A 100-inch 16:9 screen is about 45 square feet, a 120-inch is about 65 square feet, and a 140-inch is about 88 square feet. Most paints require two coats, so multiply by 2. Add 10 to 15 percent waste for taping edges and touch-ups. A paint that covers 160 square feet per gallon is enough for a 120-inch screen with two coats, while a 100 square foot paint is only enough for a 100-inch screen.
If your screen is over 120 inches, look for paints with at least 150 square feet of coverage per gallon. The Paint on Screen S1 Silver at 350 to 400 square feet is the most efficient large-screen option in this roundup.
Application method and prep
Most projector screen paints are water-based and apply with a standard roller. The key is wall prep: sand the surface smooth, apply a quality primer (Zinsser Bulls Eye 1-2-3 or KILZ Premium), let it cure fully, and then apply the screen paint in thin, even coats. Skipping the primer step is the most common cause of uneven finishes and visible roller marks.
Single-coat paints save time but require more careful application and thorough mixing. Two-coat paints are more forgiving and usually deliver a more uniform finish. If this is your first time painting a screen, a two-coat formula is easier to get right.
4K and 8K compatibility
For modern 4K and 8K projectors, the surface texture of the paint matters. Matte finishes with no visible roller marks are essential. The paints in this roundup are all rated for 4K and most for 8K, but the higher-end options (Smarter Surfaces, Digital Image Screen Paint) have smoother finishes that resolve fine detail better. If you have a high-end 4K laser projector, the smoother the surface, the better your image will look.
Frequently Asked Questions
What is the best screen paint for a projector?
The best projector screen paint depends on your room and projector. For most people, a 1.0 to 1.5 gain white paint like Digital Image Screen Paint delivers the best balance of brightness, viewing angle, and color accuracy. For dedicated dark theaters, a grey paint like Paint on Screen S1 Ultimate Contrast adds contrast. For bright rooms, an ALR formula like COATEZ Ambient Light Rejecting performs best.
Does projector screen paint make a difference?
Yes, projector screen paint makes a noticeable difference compared to bare drywall. Standard wall paint has an uncontrolled gain and scatters light randomly, while screen paint uses controlled particle size and binder density to direct more light back to the viewer. In side-by-side tests, even a mid-range screen paint produces visibly better contrast, color accuracy, and brightness than a fresh coat of regular interior paint.
Is projector screen paint worth it?
Projector screen paint is worth it for most home theater users. A gallon of quality screen paint costs $65 to $300 and covers 100 to 400 square feet, which is significantly cheaper than a fixed-frame screen of the same size (often $500 to $2,000). The image quality approaches or matches dedicated screens when the paint is properly applied to a smooth, primed wall.
How much does projector screen paint cost?
Projector screen paint ranges from around $65 for a 32 to 35 ounce container (enough for a 90-inch screen) to $295 for a 1-gallon premium formula. Mid-range options in the $180 to $200 range cover 100 to 170 square feet per gallon, which is enough for a 120-inch screen. Coverage and gain are the main price drivers, with specialty features like ALR technology or 3D optimization adding cost.
What is the best paint color for a projector?
White is the best paint color for most projector setups because it produces the most accurate colors and works with the widest range of projectors. Grey screen paint is better for dark home theaters with high-lumen projectors because it deepens blacks and increases perceived contrast. For rooms with significant ambient light, a white ALR (ambient light rejecting) paint is the best compromise.
Final Verdict
After two months of testing 8 projector screen paints, the Digital Image Screen Paint in Ultra White is my top pick for most home theater setups. The 1.5 gain, 160 square foot coverage, low VOC formula, and 4K/8K compatibility deliver reference-grade image quality at a price that undercuts dedicated fixed-frame screens by a wide margin.
For buyers on a tight budget, the Mollor 32-ounce paint gives you a real screen paint experience for the cost of a few movie tickets. For dedicated dark theaters, the Paint on Screen S1 Ultimate Contrast grey is the contrast king. For bright living rooms with daytime viewing, the COATEZ ALR kit is the smartest pick. And for ultra short throw owners who want the smoothest possible surface, the Smarter Surfaces Short Throw paint justifies its premium with measurable technical specs and a 5-year warranty.
The right projector screen paint depends on your room, your projector, and how much wall you want to cover. Pick the formula that matches your situation, spend the time on wall prep, and you will end up with a screen that looks better than anything you can buy off the shelf for the same money.
There are people who love playing video games, and then there are enthusiasts who devote their lives to gaming.
Corey has been playing games since The Legend of Zelda and Final Fantasy III were still young.
Today, he blends his passion and experience to write reviews that can help others choose the best components in the gaming arena.