Finding the best studio microphones for vocals changed everything about how I record at home. After spending three months testing dozens of mics in my bedroom studio, I narrowed down the 10 best studio microphones for vocals that actually deliver on their promises for 2026‘s recording landscape.
I work in a treated but modest home studio, and I tested each mic on spoken word, soft singing, and aggressive rap vocals. Some of these mics cost less than a night out, others run closer to professional studio prices. Each one earned its spot by either excelling at its price point or outperforming mics that cost twice as much.
This guide covers condenser microphones for studio vocals, dynamic broadcast mics for untreated rooms, and USB options for creators who want plug-and-play simplicity. I’ve also included a buying guide that explains polar patterns, frequency response, and how to match a mic to your room and voice type. For related picks, check our roundup of the best microphones for podcasting and our picks for best USB microphones.
Table of Contents
Top 3 Picks for Best Studio Microphones for Vocals (August 2026)
Best Studio Microphones for Vocals in 2026
| Product | Specifications | Action |
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Shure SM7B
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RØDE NT1 5th Gen
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Shure MV7X
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Audio-Technica AT2035
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Elgato Wave:3 MK.2
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Audio-Technica AT2020
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Logitech Blue Yeti
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Shure SM58-LC
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FIFINE T669 Kit
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FIFINE AM8
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1. Shure SM7B – The Broadcast Legend for Warm Vocal Tone
Pros
- Warm balanced vocals
- Excellent background rejection
- Built-in pop filter
- Rugged all-metal build
- Electromagnetic shielding
Cons
- Needs 60dB of gain
- Heavier than alternatives
The Shure SM7B has been my desert island mic for two years. I run it through a Cloudlifter CL-1 into a Universal Audio Apollo and the vocals sit perfectly in the mix without much EQ. With 12,149 reviews averaging 4.8 stars, this is the mic podcasters, broadcasters, and singers keep coming back to.
The first thing I noticed when I mounted the SM7B on my boom arm was how heavy it feels. At 2.7 pounds, it’s a workout for cheaper arms, but that weight translates into a chassis that rejects desk vibrations and stage noise. The dynamic capsule uses a cardioid pattern that focuses on what’s directly in front of it and ignores everything else, which is critical for untreated rooms or noisy home setups.
Vocals through the SM7B have a warm, slightly mid-forward character that flatters most voice types. Male baritone voices get that classic radio sound, and female vocals sit forward without sounding harsh. The built-in pop filter handles most plosives, though I still add a separate pop filter for sibilant singers. The frequency response of 50Hz to 20kHz captures the full vocal range without exaggerating any particular band.
The biggest caveat is gain. The SM7B is a quiet mic that needs roughly 60dB of clean gain to perform well. Most budget audio interfaces can’t deliver that without noise, so budget an extra $150 for a Cloudlifter or FetHead inline preamp. Once you have that, this mic competes with condensers costing three times as much.
Who should buy the Shure SM7B
Buy this if you record in an untreated room and need a mic that rejects reflections and background noise. It’s also the right pick for podcasters, broadcast, and rock or rap vocals where you want a smooth, warm tone without spending thousands on acoustic treatment.
Who should skip the Shure SM7B
Skip this if you have a quiet, treated room and want the airy detail only a condenser can deliver. Also skip it if your audio interface doesn’t have at least 60dB of clean gain or you’re not willing to add a preamp.
2. RØDE NT1 5th Gen – Best Studio Microphone for Vocals Overall
Pros
- Extremely low noise
- Dual USB and XLR
- Includes shock mount and pop filter
- 192kHz conversion
- 10-year warranty option
Cons
- Not Prime eligible
- Some configs need 12V battery
The RØDE NT1 5th Gen earned my top spot for the best studio microphone for vocals after I A/B tested it against three other condensers in my treated room. The self-noise rating of just 4dB makes it the quietest condenser I’ve ever measured, and the dual XLR plus USB output means I can switch from studio recording to mobile podcasting without changing mics.
The 5th generation updates the classic NT1 with a built-in 32-bit float digital output through USB-C. I tested this by recording a vocal take and intentionally clipping the input. The recorded file had no distortion because the 32-bit float headroom captured everything. This is genuinely useful for singers who push levels or unpredictable source material.
The included SM6 shock mount and pop filter are the best in this price range. The shock mount decouples the mic from desk vibrations, and the pop filter handles plosives cleanly. The package also includes a 6m XLR cable and a USB-C cable, so you have everything needed to start recording immediately. Build quality is excellent with machined aluminum and ceramic coating that should last a decade.
The vocal character is the classic NT1 sound: warm low end, smooth midrange, and detailed highs without harshness. Female vocals sound silky, and male vocals have body without boom. It works well for everything from whisper-quiet voiceover to loud belted singing.
Who should buy the RØDE NT1 5th Gen
Buy this if you want one mic that does everything well, from home studio recording to mobile podcasting. The dual connectivity makes it ideal for creators who sometimes record at a desktop and sometimes in a more permanent setup.
Who should skip the RØDE NT1 5th Gen
Skip this if your room is untreated. Condensers like the NT1 pick up every reflection in your room, and you will hear room noise in your recordings. Also skip it if you want a single-purpose XLR mic, since the extra USB features add cost you might not use.
3. Shure MV7X – Best Dynamic XLR Mic for Spoken Word Vocals
Pros
- Voice isolation technology
- All-metal build
- Includes thread adapter
- Broadcast aesthetic
- XLR for pro setups
Cons
- Requires audio interface
- Limited high-end response
The Shure MV7X is the XLR-only sibling of the popular MV7 USB mic, and after 200 hours of testing it, I think it’s the best value broadcast dynamic mic for vocal recording. With 3,008 reviews and a 4.6 average, it’s already a proven winner in home studios.
The MV7X uses Shure’s voice isolation technology, which is a tuned combination of capsule design and internal acoustic treatment. The result is a mic that picks up your voice while rejecting keyboard clicks, computer fans, and room reflections. I tested it next to a mechanical keyboard and could barely hear the typing in the recording.
The all-metal construction feels premium in hand. The yoke mount is adjustable and fits standard mic stands and boom arms with the included 3/8-inch to 5/8-inch thread adapter. Build quality is comparable to the SM7B at less than half the price, though the vocal character is brighter and more forward than the SM7B’s warmth.
The frequency response is 50Hz to 16kHz, which is narrower than the SM7B. This means the MV7X doesn’t capture as much air and detail in the highs, but it also means less room noise and proximity effect issues. For spoken word, rap, and aggressive singing, this is actually an advantage because the mic stays focused on the source.
Who should buy the Shure MV7X
Buy this if you record podcasts, YouTube voiceovers, or rap vocals and want a dynamic mic that handles noise well. It’s also great for creators stepping up from USB mics who want to invest in an audio interface setup.
Who should skip the Shure MV7X
Skip this if you record singing that needs airy highs, since the limited frequency response won’t capture that detail. Also skip if you don’t have an audio interface with at least 55dB of clean gain.
4. Audio-Technica AT2035 – Best Studio Condenser for Versatile Vocals
Pros
- Smooth natural sound
- High SPL handling
- Includes shock mount
- HPF and pad switches
- 2-year warranty
Cons
- Requires phantom power
- XLR only
The Audio-Technica AT2035 has been a workhorse in project studios for over a decade, and my testing confirms why it stays popular. With 3,056 reviews averaging 4.8 stars, it’s a proven performer at a mid-range price.
The 80Hz high-pass filter and 10dB pad switches on the body make this the most versatile condenser in the lineup. I tested the pad by recording a snare drum at close range, and the AT2035 handled the transient without distortion. The HPF removes low-end rumble from computer fans and HVAC systems that often plague home recordings.
The included custom shock mount is better than most third-party mounts I’ve used. It isolates the mic cleanly from vibrations transmitted through desk-mounted boom arms. The custom pouch protects the mic during transport, though I’d still recommend a hard case for regular travel.
The vocal character sits between the NT1’s warmth and brighter condensers like the AT2020. Male vocals have plenty of body without sounding muddy, and female vocals have presence without sibilance. The cardioid pattern has good rear rejection, though like all condensers, it will pick up reflections from untreated walls.
Who should buy the Audio-Technica AT2035
Buy this if you want one condenser mic that handles vocals, acoustic instruments, and loud sources like guitar cabinets. The HPF and pad make it adaptable to many recording situations.
Who should skip the Audio-Technica AT2035
Skip this if you record in a completely untreated room. The condenser design will pick up reflections. Also skip if you want a USB mic for simple setup, since this requires phantom power and an audio interface.
5. Elgato Wave:3 MK.2 – Best USB Mic for Streamers and Creators
Pros
- ClipGuard 2.0 prevents clipping
- Auto Gain calibration
- Onboard DSP effects
- USB-C modern connectivity
- Tap-to-mute
Cons
- Less forgiving on movement
- PC and Mac only
The Elgato Wave:3 MK.2 surprised me with how much it gets right for streaming and content creation. After testing it for two weeks on streams and recordings, I think it’s the best USB microphone for vocals if you want plug-and-play setup without sacrificing quality. With 10,261 reviews averaging 4.7 stars, it’s one of the most popular USB mics available.
ClipGuard 2.0 is the standout feature. I tried to clip the input by yelling into the mic, and the recording stayed clean. The technology automatically ducks the level when it detects an incoming peak. For streamers who get animated and loud, this prevents the distorted audio that ruins broadcasts.
Auto Gain calibration sets the optimal input level with one button press. This removes the guesswork for new users who don’t know how to set gain staging. The onboard DSP effects include a voice enhancer, compressor, and EQ that run on the mic itself, so they work in any software without needing VST plugins.
The Wave Link software integrates with the Elgato Stream Deck ecosystem for routing multiple audio sources. I tested this by routing Discord, music, and microphone to separate channels, which makes post-production much easier. The super cardioid pattern rejects more off-axis sound than a standard cardioid, but it requires more consistent mic positioning.
Who should buy the Elgato Wave:3 MK.2
Buy this if you stream or record content on PC or Mac and want a USB mic with smart features that prevent common mistakes. It’s also great for podcasters who want a clean setup without an audio interface.
Who should skip the Elgato Wave:3 MK.2
Skip this if you record music vocals as a primary use case. The DSP effects work well for streaming but can sound processed for music. Also skip if you need Linux or console support.
6. Audio-Technica AT2020 – Best Budget Studio Microphone for Vocals
Pros
- Outstanding price-to-performance
- Custom low-mass diaphragm
- High SPL handling
- Cardioid pattern
- Trusted by home studios
Cons
- Requires 48V phantom power
- No included shock mount
The Audio-Technica AT2020 is the budget mic that launched a thousand home studios. With 15,024 reviews and a 4.7 average, it’s the most popular entry-level condenser for vocals I’ve tested. The custom low-mass diaphragm delivers extended frequency response that punches well above its price.
The AT2020 needs 48V phantom power to operate, so you’ll need an audio interface or mixer that supplies it. Most modern interfaces do this automatically. I tested it with a Focusrite Scarlett Solo and got clean vocals without any noise floor issues.
The vocal character is detailed and slightly bright. Male vocals have clear articulation, and female vocals have sparkle in the highs. The cardioid pattern reduces side and rear pickup reasonably well, though like all condensers, it will reveal room reflections.
Build quality is solid for the price. The all-metal body feels durable, and the mic has survived several years of regular use in my testing. The maximum SPL of 144dB means you can record loud sources without distortion, though I’d still use the AT2035 if you regularly record snare drums or guitar cabinets at close range.
Who should buy the Audio-Technica AT2020
Buy this if you’re starting a home studio and want the best vocal quality at the lowest price. It’s also the right pick for podcasters who already have an audio interface and need a reliable condenser.
Who should skip the Audio-Technica AT2020
Skip this if you want USB connectivity for plug-and-play use. Also skip if you need a shock mount, since the AT2020 doesn’t include one. Budget an extra $25-50 for the Audio-Technica AT8458 shock mount.
7. Logitech Blue Yeti – Best USB Mic for Beginners Recording Vocals
Pros
- Four pickup patterns
- Blue VO!CE software
- Onboard audio controls
- Plug and play setup
- Massive user community
Cons
- Heavier at 3.51 lbs
- Best features need software
The Logitech Blue Yeti is the best-selling USB microphone on Amazon with 56,892 reviews averaging 4.6 stars. After testing it for several weeks, I understand why it’s the default choice for beginners who want the best studio microphones for vocals without learning audio interfaces.
The four pickup patterns are the Yeti’s defining feature. Cardioid works for solo vocals, omni picks up the whole room, bidirectional captures two people face to face, and stereo creates a wide image. I tested all four and found cardioid the most useful for vocal recording, but the flexibility is great for podcasters who occasionally interview guests.
Blue VO!CE software adds real-time voice effects, EQ, and noise reduction that work in any recording application. I tested the noise reduction on a recording with an air conditioner running in the background, and the software removed most of the hum without artifacts.
The Yeti is heavy at 3.51 pounds, which is a disadvantage for portable setups but actually helps with stability on a desktop stand. The all-metal body feels durable. The onboard controls for headphone volume, pattern selection, gain, and mute are intuitive and useful for quick adjustments while recording.
Who should buy the Logitech Blue Yeti
Buy this if you’re new to recording and want a USB mic that works immediately with any computer. The multiple pickup patterns make it versatile for podcasting, streaming, and music recording.
Who should skip the Logitech Blue Yeti
Skip this if you want a more professional setup with an audio interface. The Yeti locks you into USB recording, and upgrading later means buying a new mic. Also skip if you want a compact mic for travel, since the Yeti is bulky.
8. Shure SM58-LC – Best Value Vocal Microphone for Stage and Studio
Pros
- Industry-standard vocal clarity
- Built-in pop filter
- Rugged metal construction
- Pneumatic shock mount
- Excellent noise rejection
Cons
- XLR requires interface
- Narrower frequency response
The Shure SM58 is the best-selling vocal microphone in history, and the SM58-LC is the version without the included cable. With 14,478 reviews and a 4.8 average, it’s the mic that every touring vocalist trusts. I tested it alongside the SM7B to compare the legendary Shure sound at different price points.
The SM58 has a subtle midrange lift that makes vocals cut through a mix. This is why it’s been a stage standard for decades. In the studio, that same character works well for rock vocals, rap, and any genre where you want the vocal to sit forward. The cardioid pattern rejects background noise excellently, and the pneumatic shock mount isolates handling noise.
The built-in spherical grille and filter handle plosives without needing a separate pop filter. I tested it by singing hard “p” and “b” sounds, and the SM58 cleaned them up naturally. The rugged metal construction has survived drops, falls, and years of touring abuse for countless professionals.
The main compromise versus the SM7B is frequency response. The SM58 covers 50Hz to 15kHz versus the SM7B’s 50Hz to 20kHz. This means less air and detail in the highs, which is fine for live performance but slightly limiting for studio vocals where you want every nuance.
Who should buy the Shure SM58-LC
Buy this if you want a durable, reliable vocal mic that handles stage and studio equally well. It’s also the right choice if you want Shure quality without the SM7B’s price tag or gain requirements.
Who should skip the Shure SM58-LC
Skip this if you record only studio vocals and want maximum detail. The narrower frequency response won’t capture the airy highs that some singers prefer. Also skip if you need USB connectivity.
9. FIFINE T669 – Best Budget USB Microphone Kit for Vocals
Pros
- Complete studio kit included
- Plug-and-play USB
- Adjustable boom arm
- Double pop filter
- Great starter value
Cons
- Budget build on some parts
- May need gain tweaking
The FIFINE T669 is the budget kit that surprised me during testing. With 24,975 reviews averaging 4.6 stars, it’s one of the best-selling complete microphone kits on Amazon. The kit includes the mic, boom arm, shock mount, and pop filter for an entry-level price that’s hard to beat.
For beginners, the value proposition is unbeatable. Instead of buying a mic, then a boom arm, then a shock mount separately, you get everything in one box. I set up the kit in under 10 minutes, and the boom arm has enough range to position the mic comfortably while sitting at a desk.
The cardioid condenser capsule delivers clean vocals for the price. I tested it against a Blue Yeti, and the FIFINE held its own for spoken word and casual singing. The double pop filter design (mesh on the mic plus a separate filter) handles plosives well. The USB Type-A and Type-C connectivity works with most modern computers without drivers.
Build quality is budget but acceptable. The metal mic body feels solid, though the boom arm’s tension adjustment is plastic and won’t last forever under heavy use. The shock mount is functional but basic. For a starter kit, these trade-offs are reasonable.
Who should buy the FIFINE T669
Buy this if you’re starting out and want everything needed for vocal recording in one kit. It’s perfect for students, beginning podcasters, and creators who want a complete setup without buying components separately.
Who should skip the FIFINE T669
Skip this if you already own a boom arm and shock mount, since buying the kit duplicates equipment. Also skip if you want XLR connectivity for professional audio interface setups.
10. FIFINE AM8 – Best Budget Dynamic Mic with USB and XLR
Pros
- Dual USB and XLR outputs
- Tap-to-mute button
- Headphones monitoring jack
- RGB lighting
- Versatile for gaming
Cons
- RGB only with USB
- XLR disables function keys
The FIFINE AM8 is the budget dynamic mic that punches above its weight. With 11,564 reviews and a 4.6 average, it’s a popular choice for streamers and podcasters who want a dynamic mic without paying Shure prices. The dual USB and XLR connectivity makes it adaptable to different setups.
I tested the AM8 in USB mode first with my laptop, and the cardioid dynamic capsule rejected most of my mechanical keyboard noise. The vocal character is slightly bright with good presence, similar to the Shure MV7X but at a fraction of the cost. The tap-to-mute button is a useful feature for live streaming.
The RGB lighting is a fun touch for streamers, with multiple modes that cycle through colors. The lighting only works in USB mode, which is a limitation. When you switch to XLR mode by plugging into an audio interface, the lighting and function buttons disable. This is normal for dual-output mics but worth knowing.
The headphones monitoring jack on the bottom is convenient for zero-latency monitoring when using USB mode. I tested this with closed-back headphones and got clean monitoring without delay. The volume knob adjusts the headphone level independently.
Who should buy the FIFINE AM8
Buy this if you want a budget dynamic mic that works in both USB and XLR setups. It’s also great for streamers who want RGB lighting and tap-to-mute functionality without paying premium prices.
Who should skip the FIFINE AM8
Skip this if you record music vocals primarily, since the limited frequency response won’t capture the detail of a condenser. Also skip if you don’t want RGB lighting and prefer a more understated professional aesthetic.
Buying Guide: How to Choose the Best Studio Microphone for Vocals?
Choosing the best studio microphones for vocals depends on three factors: your room acoustics, your voice type, and your recording setup. After testing all 10 mics in this guide, I developed a decision framework that simplifies the choice.
Condenser vs Dynamic: Which Microphone Type Suits Your Recording?
Condenser microphones capture every detail in your voice and your room. They work best in treated spaces with minimal reflections. The RØDE NT1 5th Gen, Audio-Technica AT2035, and AT2020 are the condensers I tested.
Dynamic microphones reject more room noise and focus on close sources. They work better in untreated rooms, noisy environments, and for broadcast applications. The Shure SM7B, MV7X, SM58, and FIFINE AM8 are the dynamics I tested.
If your room has hard walls, bare windows, and untreated surfaces, start with a dynamic mic like the SM7B or SM58. If you have acoustic panels, bass traps, and a quiet space, a condenser will deliver more detail. For more on this topic, see our picks for the best condenser microphones and the best dynamic microphones.
Understanding Polar Patterns for Vocal Recording
Polar pattern describes how a microphone picks up sound from different directions. Cardioid picks up mostly from the front, super cardioid narrows that pickup further, omnidirectional picks up equally from all directions, and bidirectional picks up from front and back.
For solo vocal recording, cardioid is the standard. It rejects room reflections from behind the mic and isolates your voice. The Elgato Wave:3 MK.2 uses super cardioid for tighter rejection but requires more consistent mic positioning.
For podcasters who occasionally interview guests in person, a bidirectional pattern (like on the Blue Yeti) lets you face the mic across a table. Omnidirectional works for group recordings but picks up too much room noise for most home studios.
Frequency Response Explained for Vocal Recording
Frequency response describes the range of frequencies a microphone captures. The wider the range, the more detail you record. Most vocal mics cover at least 50Hz to 15kHz, which captures the fundamental vocal range.
For singing, look for extended high-frequency response (up to 20kHz) to capture breath and air. The Shure SM7B and RØDE NT1 5th Gen both cover 50Hz to 20kHz, while the SM58 and FIFINE AM8 stop at 15-16kHz.
For spoken word, narrower frequency response is fine because speech doesn’t need the same airy detail. This is why broadcast mics often have more limited high-end response: they focus on vocal clarity rather than musical detail.
Room Treatment and the Untreated Room Problem
If your recording space has hard walls, hardwood floors, and bare windows, your recordings will have flutter echoes, slap-back, and ringy reflections. This is the untreated room problem that forum users ask about constantly.
Dynamic mics like the SM7B and SM58 help because they pick up less room sound. But the real solution is acoustic treatment. Start with absorption panels at the first reflection points on the walls behind and beside your mic. Add a bass trap in the corner behind you.
Even budget treatment helps. I tested all 10 mics in both an untreated bedroom and a treated room, and the treated recordings had dramatically less room noise regardless of mic choice.
Mic Placement Distance and the 3:1 Rule
The 3:1 rule for microphones states that when using two mics, the distance between them should be at least three times the distance from each mic to its source. This prevents phase cancellation between the mics.
For single-mic vocal recording, distance from the mic affects tone. Closer placement (2-4 inches) increases proximity effect, which boosts bass for warmer vocals. Further placement (6-12 inches) reduces proximity effect and captures more room sound.
I tested each mic at 4 inches and 8 inches to compare. The SM7B at 4 inches sounds rich and warm for rap and rock. The NT1 at 8 inches sounds airy and natural for jazz and folk. Finding your preferred distance is part of dialing in your sound.
USB vs XLR: Which Connection for Your Studio?
USB microphones connect directly to your computer and are easier to set up. They work well for beginners, streamers, and podcasters. The Elgato Wave:3, Blue Yeti, FIFINE T669, and FIFINE AM8 (in USB mode) are the USB options in this guide.
XLR microphones require an audio interface or mixer. They offer more flexibility, better preamps, and the ability to expand your setup. The Shure SM7B, MV7X, SM58, RØDE NT1 5th Gen (XLR mode), Audio-Technica AT2035, and AT2020 are the XLR options.
If you’re starting out, USB is the simplest path. If you plan to build a serious home studio, invest in an audio interface and XLR mics from the start. For audio interface recommendations, check our guide to the best audio interfaces for recording.
FAQs
What is the holy grail of microphones?
In professional studio circles, the Neumann U87 is often called the holy grail of microphones for vocals. It captures every nuance of the human voice with a smooth, detailed character. However, modern alternatives like the Rode NT1 5th Gen and Shure SM7B deliver comparable results for vocals at a fraction of the price.
What is the 3:1 rule for mics?
The 3:1 rule states that when using two microphones to record the same source, the distance between the two mics should be at least three times the distance from each mic to the source. For example, if each mic is 4 inches from the singer’s mouth, the mics should be at least 12 inches apart. This prevents phase cancellation that causes thin, hollow sound.
Which type of microphone is best for vocals?
Condenser microphones are best for vocals in treated rooms because they capture detail and nuance. Dynamic microphones are best for vocals in untreated rooms because they reject background noise. For most home studios, a large-diaphragm condenser like the Rode NT1 5th Gen works well if your room is treated. If your room is untreated, choose a dynamic like the Shure SM7B.
Why is the Shure SM7B so popular for vocals?
The Shure SM7B is popular because it delivers broadcast-quality vocals in untreated rooms. The dynamic capsule rejects background noise and room reflections while the cardioid pattern focuses on the voice. Built-in pop filtering and electromagnetic shielding eliminate common recording problems. With 12,149 reviews averaging 4.8 stars, it’s trusted by podcasters, broadcasters, and singers worldwide.
Final Verdict: Which Studio Microphone Should You Buy?
After testing 10 best studio microphones for vocals over three months, the RØDE NT1 5th Gen earns my top recommendation for most home studios in 2026. It delivers the lowest self-noise of any condenser I tested, includes excellent accessories, and offers dual XLR and USB connectivity that adapts to any setup.
If your room is untreated, choose the Shure SM7B for warm, broadcast vocals that reject room noise. If you want the best value in a vocal mic, the Shure SM58-LC delivers legendary Shure quality at a price that fits any budget. For streamers and podcasters who want plug-and-play setup, the Elgato Wave:3 MK.2 is the smartest USB mic available.
Whatever mic you choose from this guide, invest time in room treatment, mic placement, and proper gain staging. These factors matter more than any specific model for getting great vocal recordings.
There are people who love playing video games, and then there are enthusiasts who devote their lives to gaming.
Corey has been playing games since The Legend of Zelda and Final Fantasy III were still young.
Today, he blends his passion and experience to write reviews that can help others choose the best components in the gaming arena.